Download PDF Life Drawing in Charcoal (Dover Art Instruction), by Douglas R. Graves

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Life Drawing in Charcoal (Dover Art Instruction), by Douglas R. Graves

Download PDF Life Drawing in Charcoal (Dover Art Instruction), by Douglas R. Graves

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From the Back Cover

"The guidance to be found within these covers reflects the author's inspired ability as a teacher and artist of the highest magnitude. It is probably the finest book on the subject of drawing the human form that I have ever seen."—Irving Shapiro, A.W.S., Director, American Academy of ArtThis unique guide offers a bold, innovative approach to drawing from life. Instead of teaching the traditional method of building up a drawing from lines, leaving mass and tone till later, noted art instructor Douglas R. Graves takes precisely the opposite tack. The student is encouraged to begin seeing and thinking in terms of tonal masses immediately. This approach enables students to draw quickly and accurately without the need for a line drawing first. The author compares it to learning to "paint" with charcoal.Step-by-step demonstrations and over 200 of the author's own drawings offer inspiration and practical guidance in the technique. You'll learn how to "see" tonal quality, how to key a drawing, how to translate color into black and white, and valuable techniques for keeping the figure from looking "stiff." Other topics include the role of alignment in achieving proper proportions, foreshortening, male and female figure distinctions, the use of modeling to achieve added dimension, drawing the face, positioning the figure, and many other aspects of life drawing.For students of drawing—beginner to expert—this book is an invaluable guide not just to drawing from life but to the essential principles of observation, composition, and draftsmanship that underlie all successful drawing and painting. It belongs in the library of every artist. For this edition, the author has revised previous chapters and added a new one on "Different Modes of Charcoal."Revised and enlarged Dover (1994) republication of the work published by Watson-Guptill Publications, New York, 1971.

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Product details

Series: Dover Art Instruction

Paperback: 176 pages

Publisher: Dover Publications; Subsequent edition (November 4, 1994)

Language: English

ISBN-10: 0486282686

ISBN-13: 978-0486282688

Product Dimensions:

8.5 x 0.5 x 11.2 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

28 customer reviews

Amazon Best Sellers Rank:

#581,159 in Books (See Top 100 in Books)

I recently reviewed a book on life drawing where the author used a painstaking process to make gorgeous pencil drawings. He focussed on building up tone through meticulous hatching and shading. (And outlining and measuring - very obsessive but rewarding.)This book also focuses on tone rather than line, this time in charcoal and without the rather anal measuring and outlining.In fact it is far more accessible to the average life student, because the methods Graves uses can likewise be used in a life class. You don't need days and days of posing. Nor do you need the foundation drawing skills required by the other book. This is a book which can be put to immediate use.And very valuable it is, too. Expect an improvement in your results the first time you put the lessons taught by Graves to use. You will find yourself looking at your model as a collection of tonal areas, rather than lines, and consequently your drawings will have more shape to them. They will be brought to life.The essence of Graves' method is to work with two tools - charcoal and a chamois. Tones are built up with the charcoal, and the chamois is used to lighten them. One early exercise uses a "wash" of charcoal to create a background and then shapes are picked out with the chamois to make the drawing. Darker values such as shadows are added with more charcoal.The book starts with the basics. Tools, media and techniques. All illustrated and described, along with exercises illustrated for the student.Chapters are presented as exercises, each focused on a different topic. Lines and shadows, proportions, alignments, composition and so on, each building on the last. Step by step the final image is built up from broad tonal masses to detailed shapes. Construction lines are shown and at each step Graves tells us precisely what he is doing and why.I particularly liked the illustrated explanation of the difference between lines and outlines. The body has lines, such as the creases formed when folding the elbow, and outlines, being the imaginary line where the body finishes and the background begins. Drawing body lines reflects reality, but drawing outlines imposes something that isn't there - we don't see bodies surrounded by lines - if the background and the body are the same colour they blend into each other, they don't form a line. Graves uses negative shapes to help define the outline, a much more natural and satisfactory method.Graves shows and tells in a pleasant, consistent manner how to improve our techniques. There is something here for all levels, but this book is perhaps best used by an intermediate artist rather than a beginner or an expert. A few basic skills help to get right into it, and if you are already achieving good results you may not feel happy about changing your ways.Having said that, Graves provides plenty of flexibility and new ideas to add to an existing skill base. This book *will* help you improve your style.Highly recommended to anybody with an interest in drawing the nude. Especially valuable to students attending life class for the first time.

Excellent book good information and instruction on how to use the different mediums, would recommend

The book has helped me, - a "beginning artist" -- to relax and start to see the subjects and my renditions in a more relaxed and "sketchy" way, especially when I begin a drawing. By starting with tone and making a sort of "charcoal wash", then taking away the negative space as the subject takes shape has been fun for me. As I progress toward rendering a more classic version of a subject, I find that "moving the charcoal on the page" is easier. The book has been eye-opening for me to ease up and stop over-rendering!

Great inspiration and instruction.

Wonderful instructions and illustrations.

This is a great book. Lots of drawings, some are printed a little dark so details are hard to see - a great resource for figure drawing artists.

Having learned to draw from Betty Edwards' "right brain" approach, this book is a natural follow-on. It teaches a painterly approach to drawing by capturing the masses, rather than the contours, in much the same way as DRSB does. I've struggled with contour drawing from the beginning, whereas I see the masses and tones very easily. The drawings in this book are beautiful, and it's great confirmation and affirmation of the DRSB training I've had. See my other review for DRSB.

Every single chapter is interesting.

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