Free Ebook Les Misérables: Translated by Julie Rose

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Les Misérables: Translated by Julie Rose

Free Ebook Les Misérables: Translated by Julie Rose

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Audible Audiobook

Listening Length: 60 hours and 26 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Recorded Books

Audible.com Release Date: June 14, 2011

Language: English, English

ASIN: B0055T18DY

Amazon Best Sellers Rank:

You've read the book, you've seen the musical, you've seen the movie, now you've seen the movie musical. If that's not enough for you, pick up Focus on the Family's Radio Theatre adaptation of Victor Hugo's beloved classic, Les Miserables. True to their radio roots, Focus on the Family does radio theater well. This is by no means an audio book. It's a true dramatization, with a large cast of actors and actresses, who tell the story through dialogue and sound effects.Enjoying this program, which is about 3 hours long, is all about expectations. If you want the full story of Les Miserables, with all of its interconnected plots and subplots, along with Hugo's rich character studies and descriptive passages, you will be sorely disappointed. But let's be realistic. My Everyman's Library edition runs well over 1000 pages. There's no way a 3 hour movie, a 3 hour musical, or a 3 hour radio theatre adaptation will capture all of that.But if you listen to this production with the expectation of a well-acted, enjoyable program which captures the kernel of Hugo's story, you'll be delighted. The actors are terrific (Although I always wonder, when the original is in French or German or some other language, why British accents are normally used. Is it simply anglophilia?) and the sound effects give eyes to your ears. And, in spite of the story compression of this epic novel, the story hangs together well.My biggest complaint is the dynamic range. In a quiet theater or at home in the living room, when a barely audible whisper one moment is followed by a noisy explosion and shouting the next, no problem. But listening to this in the car during a road trip, I had to keep turning it way up to hear over the road noise, then crank it back down when it got loud. Maybe this is a personal problem. . . .This Radio Theatre production is not a replacement for the book, but it is a worthy introduction to a great work of literature. I'll never get my 11 year old to read the book (I shouldn't say never. It would be a long shot, though.), but this production can at least get kids, and adults, for that matter, into the story. Enjoy!Thanks to the Tyndale Blog Network for the complimentary copy!

I advise those perusing these reviews to take with a measure of salt the dogmatic pronunciations on the quality of Rose's translation. Provenance is important, and one should always "consider the source." (Yes, even with me.)A number of interviews with Rose are available online, in which she discusses her work, and her work on this novel. The novel has a lengthy and detailed Translator's Preface, in which she discusses the novel, the translation process, and her approach to it. You also can find online some independent articles about this translation.The great translator of Spanish language literature, Edith Grossman, said:"I can't say what makes a book translatable, but I do think that all texts can be translated. The question of whether or not a work is "translatable" stems from a mistaken and widely held notion that a translation is really a one-for-one set of equivalences with the original--a straightforward lexical problem--when in fact it is a rewriting of the first text. Some, of course, are immensely difficult (they're usually just as difficult in the original) and challenge the translator's sensitivity to nuance, levels of meaning, and artistic impact in both languages. I see my work as translating meaning, not words."Rose has spoken similarly about her work."I think the essential difference is that...and I'm not saying that translators always have to do this, there are reasons for departing a little bit further from a writer's text where it just won't work in English. I found on the contrary what really worked better in English was to follow Hugo much more closely than anyone else seems to have done. So I've actually followed his syntax as closely as possible, I've followed the rhythm of his sentences and I've actually broken it up the way he has and stuck more closely to what he says." -- Julie Rose, interview, 2009She's translated more than thirty French works into English -- plays, poetry, novels, genre fiction. She worked on Les Miserables for three years. She has been awarded three international prizes for her translations. I'm willing to take the leap of faith -- she is "fluent in French." I recommend others accept the facts in plain sight, and do likewise.I stopped reading works in translation in the early 1980s, and didn't start up again until around 2005. The reason I stopped was that I concluded that I could not hear the author's voice in the translated work. The reason I started again was that Rose, Grossman, and some others showed that they understood this challenge, accepted it, and that it is possible to capture the author's voice in a translation, by actually listening to the author's intent.According to one account, the Rose translation is almost 100,000 words longer than the 1976 Denny "translation" -- that's how much material he excised from the novel to "improve it." Denny, in fact, is on record as saying that Victor Hugo was a terrible writer, and needed some "tidying up." If you're just looking to pad your reading CV with another of the "great books," then it doesn't matter which one you read. Might as well go with a shorter one. If you're looking to read the translation of Les Mis, that will make you feel like you are reading the original, hearing Victor Hugo's voice, then pick up Rose's translation.

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Les Misérables: Translated by Julie Rose PDF

Les Misérables: Translated by Julie Rose PDF